{"id":25812,"date":"2026-10-14T11:24:47","date_gmt":"2026-10-14T11:24:47","guid":{"rendered":"https:\/\/www.afrikaldia.com\/2026\/10\/14\/vincho-nchogu\/"},"modified":"2026-10-21T18:05:01","modified_gmt":"2026-10-21T18:05:01","slug":"vincho-nchogu","status":"publish","type":"post","link":"https:\/\/www.afrikaldia.com\/fr\/2026\/10\/14\/vincho-nchogu\/","title":{"rendered":"VINCHO NCHOGU"},"content":{"rendered":"\t\t
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\n\t\t\t\t\tVINCHO NCHOGU\t\t\t<\/h2>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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BIO<\/strong><\/p>

Vincho Nchogu est une conteuse multim\u00e9dia et archiviste num\u00e9rique des Indigenous Knowledge Systems<\/em> du Kenya. Nchogu s\u2019est fait conna\u00eetre en 2017 en tant que productrice de Gabriel and the Mountain<\/em>, un biopic br\u00e9silien pr\u00e9sent\u00e9 en premi\u00e8re \u00e0 la Semaine de la Critique du Festival de Cannes, o\u00f9 il a remport\u00e9 deux prix. Auparavant, elle avait produit le segment consacr\u00e9 \u00e0 l\u2019Afrique de l\u2019Est et \u00e0 l\u2019Afrique centrale de la s\u00e9rie Future Express<\/em> (NCVR), r\u00e9alis\u00e9e par Rob Hoff.<\/p>

Elle a produit de nombreux documentaires internationaux, notamment le court-m\u00e9trage documentaire d\u2019Uzo Aduba (Orange is the New Black<\/em>) pour Love Vote, aux \u00c9tats-Unis. Elle est \u00e9galement r\u00e9alisatrice d\u2019African Knowledge Systems<\/em>, une s\u00e9rie de courts-m\u00e9trages documentaires accessible sur YouTube. En 2021, son podcast d\u2019investigation Case Number Zero<\/em> est devenu le podcast consacr\u00e9 au crime le plus \u00e9cout\u00e9 au Kenya. Nchogu r\u00e9alise et produit actuellement KEDONG<\/em> (\u00e0 un stade avanc\u00e9 de d\u00e9veloppement), un thriller sur le braconnage au Kenya, au Nigeria et aux \u00c9tats-Unis. Nchogu est membre du Film Independent Producing.<\/p>

En 2025, elle a r\u00e9alis\u00e9 One Woman One Bra<\/em>, pr\u00e9sent\u00e9 en premi\u00e8re \u00e0 la 82e \u00e9dition de la Mostra di Venezia. Peu apr\u00e8s, le film a re\u00e7u le prix Sutherland du premier long-m\u00e9trage de fiction au BFI London Film Festival, avant de remporter de nombreuses autres distinctions et de rencontrer un succ\u00e8s critique et public.<\/p>

\u00a0<\/p>

FILMOGRAPHIE<\/strong><\/p>

One Woman One Bra (2025).<\/strong> Long-m\u00e9trage de fiction (80\u2019).
The Resurrection (2009).<\/strong> Court-m\u00e9trage de fiction (10\u2019).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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D\u00c9CLARATIONS<\/strong><\/p>

Mon parcours de r\u00e9alisatrice a commenc\u00e9 par la r\u00e9alisation de films de propagande pour une ONG, o\u00f9 j\u2019ai \u00e9t\u00e9 t\u00e9moin, \u00e0 de nombreuses reprises, de la mani\u00e8re dont les gens devaient taire leurs histoires personnelles pour se conformer au \u00ab mythe du salut \u00bb de l\u2019organisation. Le documentaire viral KONY 2012<\/em> a marqu\u00e9 un tournant dans mon parcours. Il a r\u00e9colt\u00e9 30 millions de dollars, mais m\u2019a amen\u00e9e \u00e0 m\u2019interroger sur son impact r\u00e9el sur les enfants concern\u00e9s.<\/p>

Mon premier long-m\u00e9trage de fiction, One Woman One Bra<\/em>, explore les tensions qui surgissent entre l\u2019ambition personnelle, la r\u00e9appropriation culturelle et les dilemmes \u00e9thiques. Je suis tr\u00e8s reconnaissante du soutien re\u00e7u du Venice Biennale College, qui m\u2019a permis de raconter l\u2019histoire d\u2019une femme qui lutte pour \u00eatre reconnue bien qu\u2019elle n\u2019ait ni famille, ni mari, ni enfants. Le film pose la question de savoir quelle est l\u2019identit\u00e9 d\u2019une femme lorsqu\u2019elle n\u2019est ni m\u00e8re, ni fille, ni \u00e9pouse. Ce qui avait commenc\u00e9 comme un commentaire politique est devenu un r\u00e9cit f\u00e9ministe.<\/p>

J\u2019ai rencontr\u00e9 Amos Leuka par l\u2019interm\u00e9diaire de mon directeur de casting. Non seulement il m\u2019a accueillie \u00e0 bras ouverts pour tourner dans son village de Nkosesia, \u00e0 Loita, mais il a \u00e9galement r\u00e9uni les femmes d\u2019une troupe de th\u00e9\u00e2tre communautaire itin\u00e9rante pour le casting. Apr\u00e8s des mois de recherches, nous avons trouv\u00e9 le lieu de tournage, la distribution principale et la communaut\u00e9 en un seul week-end. Mon producteur, mon chef d\u00e9corateur, mon directeur de la photographie et moi-m\u00eame avons fait des allers-retours entre Nairobi et Loita pendant plusieurs semaines afin de pr\u00e9parer toute la production.<\/p>

La distribution et l\u2019\u00e9quipe de production sont v\u00e9ritablement diverses, 70 % de leurs membres \u00e9tant originaires de Nkosesia, ce dont je suis immens\u00e9ment reconnaissante. Je suis \u00e9mue \u00e0 l\u2019id\u00e9e de penser \u00e0 tous les publics qui pourront d\u00e9couvrir ce film, cr\u00e9\u00e9 avec soin et d\u00e9vouement par une distribution et une \u00e9quipe incroyablement talentueuses. Le public embarquera pour un voyage aux c\u00f4t\u00e9s d\u2019une femme qui lutte pour son foyer et son identit\u00e9, entour\u00e9e des sons et des paysages vibrants d\u2019un village situ\u00e9 \u00e0 la fronti\u00e8re entre le Kenya et la Tanzanie.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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VINCHO NCHOGU BIO Vincho Nchogu est une conteuse multim\u00e9dia et archiviste num\u00e9rique des Indigenous Knowledge Systems du Kenya. Nchogu s\u2019est fait conna\u00eetre en 2017 en tant que productrice de Gabriel and the Mountain, un biopic br\u00e9silien pr\u00e9sent\u00e9 en premi\u00e8re \u00e0 la Semaine de la Critique du Festival de Cannes, o\u00f9 il a remport\u00e9 deux prix. […]<\/p>\n","protected":false},"author":1,"featured_media":25706,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[129],"tags":[],"class_list":["post-25812","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-director-fr"],"yoast_head":"\nVINCHO NCHOGU - Afrikaldia \u2013 Festival Vasco de Cines Africanos<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.afrikaldia.com\/fr\/2026\/10\/14\/vincho-nchogu\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VINCHO NCHOGU - Afrikaldia \u2013 Festival Vasco de Cines Africanos\" \/>\n<meta property=\"og:description\" content=\"VINCHO NCHOGU BIO Vincho Nchogu est une conteuse multim\u00e9dia et archiviste num\u00e9rique des Indigenous Knowledge Systems du Kenya. 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