{"id":16216,"date":"2023-09-08T13:58:02","date_gmt":"2023-09-08T13:58:02","guid":{"rendered":"https:\/\/www.afrikaldia.com\/?p=16216"},"modified":"2023-09-21T15:55:10","modified_gmt":"2023-09-21T15:55:10","slug":"jose-miguel-ribeiro","status":"publish","type":"post","link":"https:\/\/www.afrikaldia.com\/fr\/2023\/09\/08\/jose-miguel-ribeiro\/","title":{"rendered":"JOSE\u0301 MIGUEL RIBEIRO"},"content":{"rendered":"\t\t
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\n\t\t\t\t\tJOS\u00c9 MIGUEL RIBEIRO\t\t\t<\/h2>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Bio\u00a0<\/span><\/b>\u00a0<\/span><\/p>

Portugal, 1966. Il a \u00e9tudi\u00e9 la peinture \u00e0 la facult\u00e9 des beaux-arts de l’universit\u00e9 de Lisbonne et a commenc\u00e9 \u00e0 travailler comme illustrateur en 1990.<\/span><\/p>

Il \u00e9tudie ensuite l’animation au Lazennec-Bretagne, \u00e0 Rennes, et au Filmografo, \u00e0 Porto, et r\u00e9alise de nombreux courts m\u00e9trages, tels que <\/span>The Suspect<\/span><\/i> (1999), laur\u00e9at du Cartoon d’Or (2000), <\/span>Sunday Drive<\/span><\/i> (2009), <\/span>A Journey to Cape Verde<\/span><\/i> (2010) et <\/span>Fragment<\/span><\/i>s (2016), tous r\u00e9compens\u00e9s dans plusieurs festivals internationaux.<\/span><\/p>

En 2012, il fonde la soci\u00e9t\u00e9 de production Pra\u00e7a Filmes, qui pr\u00e9sente en avant-premi\u00e8re son court m\u00e9trage <\/span>A Energia da Terra Chega para Todos<\/span><\/i>, s\u00e9lectionn\u00e9 \u00e0 Annecy. <\/span><\/p>

Il a \u00e9galement r\u00e9alis\u00e9 des s\u00e9ries anim\u00e9es pour enfants et des \u00e9missions sp\u00e9ciales pour la t\u00e9l\u00e9vision. <\/span>Son long m\u00e9trage <\/span>Nayola<\/span><\/i> a \u00e9t\u00e9 pr\u00e9sent\u00e9 en avant-premi\u00e8re dans la section officielle du Festival international du film d’animation d’Annecy et a re\u00e7u le prix du meilleur film d’animation \u00e0 Guadalajara.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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D\u00c9CLARATION DU R\u00c9ALISATEUR<\/span><\/b>\u00a0<\/span><\/p>

En 2013, lorsque j’ai lu la pi\u00e8ce de th\u00e9\u00e2tre d’Eduardo Agualusa et Mia Couto, \u00ab\u00a0A Caixa preta\u00a0\u00bb, j’ai \u00e9t\u00e9 touch\u00e9e par la fa\u00e7on dont ils montrent les cons\u00e9quences d’une guerre r\u00e9cente sur une famille du point de vue de trois g\u00e9n\u00e9rations diff\u00e9rentes de femmes avec leurs secrets, leurs peurs et leurs r\u00eaves. <\/span>La tension monte jusqu’\u00e0 la r\u00e9v\u00e9lation finale d’un personnage qui, derri\u00e8re un masque, ne peut pas toucher le pr\u00e9sent. Mais comme la guerre n’\u00e9tait qu’un lointain souvenir, Virgilio Almeida a cr\u00e9\u00e9 le voyage de Nayola dans le d\u00e9sert de Namibie, qui compl\u00e8te l’histoire et \u00e9largit la dimension po\u00e9tique et magique du film.\u00a0<\/span>\u00a0<\/span><\/p>

Il nous a fallu 5 ans et 2 voyages en Angola pour faire de longues recherches sur l’histoire et la culture de ce pays, si possible du point de vue des femmes, comme dans le livre \u00ab\u00a0Combater duas vezes\u00a0\u00bb de l’Angolaise Margarida Paredes, avec des t\u00e9moignages de femmes qui ont combattu pendant la guerre coloniale et civile. Pour les visuels, nous avons \u00e9t\u00e9 influenc\u00e9s par les masques<\/span><\/p>

africains et l’art contemporain qui nous ont inspir\u00e9s pour la conception des personnages et la cr\u00e9ation des arri\u00e8re-plans avec des couleurs vives et des pinceaux rugueux. La musique angolaise occupe une place centrale dans le film en nous pla\u00e7ant dans cette p\u00e9riode avec l’art de musiciens comme David Z\u00e9, M\u00e1rio Rui Silva et le c\u00e9l\u00e8bre Bonga.<\/span>\u00a0<\/span><\/p>

En 2015, Luaty Beirao, un rappeur angolais, a \u00e9t\u00e9 condamn\u00e9 par un tribunal de la capitale, Luanda, avec 16 autres activistes qui ont \u00e9t\u00e9 condamn\u00e9s \u00e0 des peines de prison allant de deux \u00e0 huit ans pour avoir planifi\u00e9 une r\u00e9bellion contre le pr\u00e9sident Jose Eduardo dos Santos. Influenc\u00e9e par cet \u00e9v\u00e9nement, j’ai r\u00e9alis\u00e9 que notre film devait int\u00e9grer cette r\u00e9alit\u00e9 et que la fille de Nayola, Yara, pourrait \u00eatre une rappeuse r\u00e9clamant la justice sociale. Une nouvelle g\u00e9n\u00e9ration qui se bat en musique.<\/span><\/p>

Filmographie<\/span><\/b>\u00a0<\/span><\/p>

2000 <\/span><\/b>A suspeita;<\/span><\/i> court-m\u00e9trage d’animation<\/span><\/p>

2009 <\/span><\/b>Passeio de Domingo; <\/span><\/i>court-m\u00e9trage d’animation<\/span><\/p>

2010 <\/span><\/b>Viagem a Cabo Verde; <\/span><\/i>court-m\u00e9trage d’animation<\/span><\/p>

2016<\/span><\/b> Estilha\u00e7os; <\/span><\/i>court-m\u00e9trage d’animation<\/span><\/p>

2022 <\/span><\/b>Nayola; <\/span><\/i>long-m\u00e9trage d\u2019animation<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\tVOIR FILM "Nayola"<\/g><\/g><\/svg><\/span>\n<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

JOS\u00c9 MIGUEL RIBEIRO Bio\u00a0 Portugal, 1966. Il a \u00e9tudi\u00e9 la peinture \u00e0 la facult\u00e9 des beaux-arts de l’universit\u00e9 de Lisbonne et a commenc\u00e9 \u00e0 travailler comme illustrateur en 1990. Il \u00e9tudie ensuite l’animation au Lazennec-Bretagne, \u00e0 Rennes, et au Filmografo, \u00e0 Porto, et r\u00e9alise de nombreux courts m\u00e9trages, tels que The Suspect (1999), laur\u00e9at du […]<\/p>\n","protected":false},"author":1,"featured_media":16152,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[129],"tags":[],"class_list":["post-16216","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-director-fr"],"yoast_head":"\nJOSE\u0301 MIGUEL RIBEIRO - Afrikaldia \u2013 Festival Vasco de Cines Africanos<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.afrikaldia.com\/fr\/2023\/09\/08\/jose-miguel-ribeiro\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"JOSE\u0301 MIGUEL RIBEIRO - Afrikaldia \u2013 Festival Vasco de Cines Africanos\" \/>\n<meta property=\"og:description\" content=\"JOS\u00c9 MIGUEL RIBEIRO Bio\u00a0 Portugal, 1966. 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