{"id":15874,"date":"2023-09-05T08:24:30","date_gmt":"2023-09-05T08:24:30","guid":{"rendered":"https:\/\/www.afrikaldia.com\/2023\/09\/05\/ellie-foumbi\/"},"modified":"2023-09-21T16:00:00","modified_gmt":"2023-09-21T16:00:00","slug":"ellie-foumbi","status":"publish","type":"post","link":"https:\/\/www.afrikaldia.com\/fr\/2023\/09\/05\/ellie-foumbi\/","title":{"rendered":"Ellie Foumbi"},"content":{"rendered":"\t\t
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\n\t\t\t\t\tEllie Foumbi\t\t\t<\/h2>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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BIO<\/strong><\/p>

Ellie Foumbi<\/strong> est une cin\u00e9aste camerounaise-am\u00e9ricaine dont le premier film, Mon p\u00e8re, le diable<\/em>, a \u00e9t\u00e9 pr\u00e9sent\u00e9 en avant-premi\u00e8re \u00e0 la Mostra di Venezia.<\/p>

Il a ensuite remport\u00e9 27 prix dans des festivals internationaux et a \u00e9t\u00e9 nomm\u00e9 pour le meilleur film aux Independent Spirit Awards.<\/p>

Elle a re\u00e7u la bourse BAFTA Breakthrough USA et a \u00e9t\u00e9 d\u00e9sign\u00e9e comme l’un des 25 nouveaux visages du cin\u00e9ma ind\u00e9pendant par le Filmmaker Magazine.<\/p>

Elle est titulaire d’une ma\u00eetrise en r\u00e9alisation de l’\u00e9cole des arts de l’Universit\u00e9 de Columbia (New York).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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FILMOGRAPHIE<\/strong><\/p>

2015<\/strong>\u00a0Uniform;<\/em> court-m\u00e9trage (co-r\u00e9alisatrice)
2016 <\/strong>Avalanche;<\/em> court-m\u00e9trage
2017 <\/strong>Last Day in Paradise; <\/em>court-m\u00e9trage
2017 <\/strong>Zenith; <\/em>court-m\u00e9trage
2019 <\/strong>No Traveler Returns; <\/em>court-m\u00e9trage
2019 <\/strong>Tales; <\/em>s\u00e9rie tv (1 \u00e9pisode)
2021 <\/strong>Home; <\/em>court-m\u00e9trage
2021 <\/strong>Mon p\u00e8re<\/em>, le diable <\/em>long-m\u00e9trage de fiction<\/p>

D\u00c9CLARATION DE LA R\u00c9ALISATRICE<\/span><\/b>\u00a0<\/span><\/p>

L’id\u00e9e de MON P\u00c8RE, LE DIABLE est n\u00e9e d’un besoin urgent de renouer avec ma terre natale, l’Afrique, mais elle s’est transform\u00e9e en une interrogation sur les cicatrices de la guerre. Comme la plupart des artistes, je suis incroyablement sensible \u00e0 mon environnement et aux \u00e9v\u00e9nements qui se d\u00e9roulent dans le monde. Gr\u00e2ce au travail de mon p\u00e8re aux Nations Unies, j’ai eu le privil\u00e8ge de converser avec des survivants du g\u00e9nocide rwandais, ce qui m’a amen\u00e9 \u00e0 me poser d’autres questions sur la nature humaine. (…) Cela a soulev\u00e9 une question plus pertinente qui a aliment\u00e9 le d\u00e9veloppement du film. Est-il possible de se reconnecter \u00e0 soi-m\u00eame apr\u00e8s avoir surv\u00e9cu \u00e0 un \u00e9v\u00e9nement traumatisant comme la guerre ?\u00a0<\/span>\u00a0<\/span><\/p>

Alors que je contemplais les difficult\u00e9s inimaginables li\u00e9es au fait de quitter sa maison dans des circonstances aussi horribles, je n’ai pas pu m’emp\u00eacher de r\u00e9fl\u00e9chir \u00e0 ma propre immigration aux \u00c9tats-Unis depuis le Cameroun. Bien que le d\u00e9m\u00e9nagement de ma famille ait \u00e9t\u00e9 motiv\u00e9 par des opportunit\u00e9s \u00e9conomiques, les d\u00e9fis auxquels nous avons \u00e9t\u00e9 confront\u00e9s \u00e9taient largement li\u00e9s \u00e0 un sentiment de d\u00e9placement. <\/span>J’\u00e9tais assez \u00e2g\u00e9e pour me rappeler \u00e0 quoi ressemblait notre maison \u00e0 Yaound\u00e9, mais trop jeune pour ressentir un v\u00e9ritable lien avec elle. Cela rendait l’assimilation \u00e0 mon nouveau pays plus compliqu\u00e9e. J’ai ensuite essay\u00e9 d’imaginer que j’arrivais dans ce nouveau pays apr\u00e8s avoir \u00e9t\u00e9 t\u00e9moin de l’assassinat d’\u00eatres chers ou d’amis. La question est devenue encore plus difficile. Et si j’avais particip\u00e9 \u00e0 de telles atrocit\u00e9s ? C’est ainsi que le film s’est int\u00e9ress\u00e9 aux enfants soldats.\u00a0<\/span>\u00a0<\/span><\/p>

\u00c0 travers le r\u00e9cit de MON P\u00c8RE, LE DIABLE, j’ai \u00e9t\u00e9 forc\u00e9e de r\u00e9examiner ce que signifie \u00eatre un immigrant et le bagage que l’on transporte. Ce film nous rappelle qu’il est impossible d’effacer notre pass\u00e9, mais que ce pass\u00e9 peut peut-\u00eatre nous remodeler de mani\u00e8re positive. <\/span>Il peut peut-\u00eatre nous rendre plus empathiques \u00e0 la souffrance des autres. Peut-\u00eatre peut-il nous rappeler qu’il reste toujours des grains de bont\u00e9 en nous, m\u00eame apr\u00e8s avoir v\u00e9cu une barbarie indicible.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\tVOIR FILM "Mon p\u00e8re, le diable"<\/g><\/g><\/svg><\/span>\n<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Lorem ipsum dolor sit amet, consectetur adipiscing elit.<\/p>\n","protected":false},"author":1,"featured_media":15802,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[129,145],"tags":[],"class_list":["post-15874","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-director-fr","category-invitees-2023"],"yoast_head":"\nEllie Foumbi - Afrikaldia \u2013 Festival Vasco de Cines Africanos<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.afrikaldia.com\/fr\/2023\/09\/05\/ellie-foumbi\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ellie Foumbi - 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